A History of High Quality Studio Microphones

Olson HF. A History of High Quality Studio Microphones. In: AES Convention 55. Audio Engineering Society; 1976. Paper 1150. Available from: https://aes.org/publications/elibrary-page/?id=2264

@inproceedings{Olson1976_2264,
  author = {Olson, Harry F.},
  title = {{A History of High Quality Studio Microphones}},
  booktitle = {AES Convention 55},
  note = {Paper 1150},
  year = {1976},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=2264}
}

TY  - CPAPER
TI  - A History of High Quality Studio Microphones
AU  - Olson, Harry F.
T2  - AES Convention 55
M1  - Paper 1150
PY  - 1976
DA  - 1976/10/06
UR  - https://aes.org/publications/elibrary-page/?id=2264
PB  - Audio Engineering Society
LA  - en
AB  - The advent of radio broadcasting, electrical recording of disk records, and sound motion pictures all in the 1920's stimulated the development and commercialization of high quality studio microphones as follows: The omnidirectional condenser and dynamic microphones of the 1920's. The bidirectional velocity and omnidirectional microphones of the early 1930's. Microphones are still classified in these three basic types of directivity. Important and significant state-of-the-art improvements have been made through the years to the present time.
ER  -