Hack the Show: Design and Analysis of Three Interaction Modes for Audience Participation

Jung M, Clester I. Hack the Show: Design and Analysis of Three Interaction Modes for Audience Participation. J Audio Eng Soc. 2023;71(11):769-779. doi:10.17743/jaes.2022.0111

@article{Jung2023_22342,
  author = {Jung, Matthias and Clester, Ian},
  title = {{Hack the Show: Design and Analysis of Three Interaction Modes for Audience Participation}},
  journal = {Journal of the Audio Engineering Society},
  volume = {71},
  number = {11},
  pages = {769--779},
  url = {https://doi.org/10.17743/jaes.2022.0111},
  doi = {10.17743/jaes.2022.0111},
  year = {2023},
  month = nov,
  publisher = {Audio Engineering Society}
}

TY  - JOUR
TI  - Hack the Show: Design and Analysis of Three Interaction Modes for Audience Participation
AU  - Jung, Matthias
AU  - Clester, Ian
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 71
IS  - 11
SP  - 769
EP  - 779
PY  - 2023
DA  - 2023/11/06
DO  - 10.17743/jaes.2022.0111
UR  - https://doi.org/10.17743/jaes.2022.0111
PB  - Audio Engineering Society
LA  - en
AB  - Artists and composers have explored the potential of mobile phones to enable audience interaction in live music concerts for the last two decades.However, studies of the compositional process and the systems' use by audience members remain scarce. This paper presents the design of three interactive modes for audience participation that invite audience members to influence both musical parameters and stage lighting of an electronic live music performance. Analysis of log data from the concert reveals users' interaction preferences and suggests five different types of participatory user behaviors, which are supported by results of a postconcert questionnaire. Finally, the paper considers design aspects for audience participation and proposes ideas for future implementations of distributed music systems.
ER  -