H. E. Tez, R. Selfridge, and J. Reiss, “Ocean Wave Sound Synthesis and Perceptual Evaluation,” in Proc. AES Convention 152, May 2022, Paper 10565. [Online]. Available: https://aes.org/publications/elibrary-page/?id=21678
Tez HE, Selfridge R, Reiss J. Ocean Wave Sound Synthesis and Perceptual Evaluation. In: AES Convention 152. Audio Engineering Society; 2022. Paper 10565. Available from: https://aes.org/publications/elibrary-page/?id=21678
@inproceedings{Tez2022_21678,
author = {Tez, Hazar Emre and Selfridge, Rod and Reiss, Joshua},
title = {{Ocean Wave Sound Synthesis and Perceptual Evaluation}},
booktitle = {AES Convention 152},
note = {Paper 10565},
year = {2022},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=21678}
}
TY - CPAPER
TI - Ocean Wave Sound Synthesis and Perceptual Evaluation
AU - Tez, Hazar Emre
AU - Selfridge, Rod
AU - Reiss, Joshua
T2 - AES Convention 152
M1 - Paper 10565
PY - 2022
DA - 2022/05/06
UR - https://aes.org/publications/elibrary-page/?id=21678
PB - Audio Engineering Society
LA - en
AB - We present and evaluate the implementation of a real-time, procedural ocean wave sound effect synthesis model that works in a web environment. This model uses filtering of noise rather than a physical model of ocean waves. The ocean waves sound synthesis model was implemented using the Web Audio API. A modular approach was adopted to achieve versatility and to expand the model to more complex techniques if needed. In the listening test, real world ocean wave sounds were compared against our sound model as well as ocean wave sounds created by other few synthesis techniques. The results indicate that the current implementation can successfully represent real ocean waves and the procedural model can outperform the other proposed approaches in terms of believability of the generated sound.
ER -