C. L. Bennett, “Strategies for teaching digital audio theory to music students,” in Proc. AES Conference: 2021 AES International Audio Education Conference, Jul. 2021, Paper 25. [Online]. Available: https://aes.org/publications/elibrary-page/?id=21215
Bennett CL. Strategies for teaching digital audio theory to music students. In: AES Conference: 2021 AES International Audio Education Conference. Audio Engineering Society; 2021. Paper 25. Available from: https://aes.org/publications/elibrary-page/?id=21215
@inproceedings{Bennett2021_21215,
author = {Bennett, Christopher L.},
title = {{Strategies for teaching digital audio theory to music students}},
booktitle = {AES Conference: 2021 AES International Audio Education Conference},
note = {Paper 25},
year = {2021},
month = jul,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=21215}
}
TY - CPAPER
TI - Strategies for teaching digital audio theory to music students
AU - Bennett, Christopher L.
T2 - AES Conference: 2021 AES International Audio Education Conference
M1 - Paper 25
PY - 2021
DA - 2021/07/06
UR - https://aes.org/publications/elibrary-page/?id=21215
PB - Audio Engineering Society
LA - en
AB - In this paper, effective classroom strategies are presented for teaching digital audio theory to music students. Particularly challenging for the professor is that many music/audio engineering/technology programs (often based in schools or colleges of music) do not include long sequences of coursework leading up to a traditional engineering-based digital signal processing course. As a result, students may be entering their digital audio courses without prior experience in signals and systems, differential equations, Laplace theory, Calculus or electrical circuit theory. Here a methodology for teaching digital audio to music students is presented incorporating three basic principles of multimedia learning.
ER -