Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording

Hofann L, Melchior F, Mueller BJ. Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording. In: AES Conference: 2020 AES International Conference on Audio for Virtual and Augmented Reality (August 2020). Audio Engineering Society; 2020. Paper 641. Available from: https://aes.org/publications/elibrary-page/?id=21186

@inproceedings{Hofann2020_21186,
  author = {Hofann, Leon and Melchior, Frank and Mueller, Benhamin Johannes},
  title = {{Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording}},
  booktitle = {AES Conference: 2020 AES International Conference on Audio for Virtual and Augmented Reality (August 2020)},
  note = {Paper 641},
  year = {2020},
  month = aug,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=21186}
}

TY  - CPAPER
TI  - Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording
AU  - Hofann, Leon
AU  - Melchior, Frank
AU  - Mueller, Benhamin Johannes
T2  - AES Conference: 2020 AES International Conference on Audio for Virtual and Augmented Reality (August 2020)
M1  - Paper 641
PY  - 2020
DA  - 2020/08/06
UR  - https://aes.org/publications/elibrary-page/?id=21186
PB  - Audio Engineering Society
LA  - en
AB  - This e-Brief proposes a spot-microphone arrangement in the context of immersive audio productions for recording acoustic instruments. The presented technique enables reproduction of a single instrument with control of its auditory width in the horizontal and vertical dimension during post production. The geometrical arrangement as well as the required post processing for immersive loudspeaker-based audio productions is discussed. Additionally, a recording of ten individual instruments and two singers with three spot-microphone positions each was carried out in an anechoic chamber using the new method. The audio files and detailed documentation are provided under CC BY-NC-ND license for evaluation, demonstration and further research. An overview of this database as well as the initial findings gathered throughout mixing the 100+ track production for a 7+4 loudspeaker setup are given.
ER  -