L. Hofmann, F. Melchior, and B. J. Mueller, “Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording,” in Proc. AES Convention 150, May 2021, Paper 641. [Online]. Available: https://aes.org/publications/elibrary-page/?id=21102
Hofmann L, Melchior F, Mueller BJ. Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording. In: AES Convention 150. Audio Engineering Society; 2021. Paper 641. Available from: https://aes.org/publications/elibrary-page/?id=21102
@inproceedings{Hofmann2021_21102,
author = {Hofmann, Leon and Melchior, Frank and Mueller, Benjamin Johannes},
title = {{Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording}},
booktitle = {AES Convention 150},
note = {Paper 641},
year = {2021},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=21102}
}
TY - CPAPER
TI - Reproducing the auditory width of individual acoustic instruments in immersive audio productions using a three-channel spot-microphone arrangement -System description and anechoic test recording
AU - Hofmann, Leon
AU - Melchior, Frank
AU - Mueller, Benjamin Johannes
T2 - AES Convention 150
M1 - Paper 641
PY - 2021
DA - 2021/05/06
UR - https://aes.org/publications/elibrary-page/?id=21102
PB - Audio Engineering Society
LA - en
AB - This e-Brief proposes a spot-microphone arrangement in the context of immersive audio productions for recording acoustic instruments. The presented technique enables reproduction of a single instrument with control of its auditory width in the horizontal and vertical dimension during post production. The geometrical arrangement as well as the required post processing for immersive loudspeaker-based audio productions is discussed. Additionally, a recording of ten individual instruments and two singers with three spot-microphone positions each was carried out in an anechoic chamber using the new method. The audio files and detailed documentation are provided under CC BY-NC-ND license for evaluation, demonstration and further research. An overview of this database as well as the initial findings gathered throughout mixing the 100+ track production for a 7+4 loudspeaker setup are given.
ER -