This study focused on the ability of listeners to discern the presence of dynamic range compression (DRC) when applied to a stereo recording. Past studies have primarily focused on listener preferences for stereophonic master recordings with varying levels of DRC. A modified two-down one-up adaptive test presented subjects with an increasingly “limited” stereophonic mix to determine the 70.7% response threshold. Results of this study suggest that DRC settings considered “normal” in recorded music production may be imperceptible when playback levels are loudness-matched. Outcomes of this experiment indicate the use of so-called “limiting” for commercial purposes, such as signal chain control, may have no influence on perceived quality; whereas, uses for perceived aesthetic advantages should be reconsidered.
(See document for exact affiliation information.)
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member Join the AES. If you need to check your member status, login to the Member Portal.
