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In this paper we propose a “native” B-format recording technique that uses dual-capsule microphone technology. The three dual coincident capsule (3DCC) microphone array is a compact sound?eld capturing system. 3DCC’s advantage is that it requires minimal matrix processing during post-production to create either a B-format signal or a multi-pattern, discrete six-channel output with high stereo compatibility. Given its versatility, the system is also capable of producing a number of different primary and secondary signals that are either natively available or derived in post-production. A case study of the system’s matrixing technique has resulted in robust immersive imaging in a multichannel listening environment, leading to the possibility of future development of the system as a single six-channel soundfield microphone.
Author (s): Zhang, Kathleen "Ying-Ying";
Geluso, Paul;
Affiliation:
(See document for exact affiliation information.)
AES Convention: 147
Paper Number:10295
Publication Date:
2019-10-06
Session subject:
Spatial Audio, Part 3
DOI:
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Zhang, Kathleen "Ying-Ying"; Geluso, Paul; 2019; The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance [PDF]; ; Paper 10295; Available from: https://aes.org/publications/elibrary-page/?id=20668
Zhang, Kathleen "Ying-Ying"; Geluso, Paul; The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance [PDF]; ; Paper 10295; 2019 Available: https://aes.org/publications/elibrary-page/?id=20668
@inproceedings{Zhang2019the,
title={{The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance}},
author={Zhang, Kathleen "Ying-Ying" and Geluso, Paul},
year={2019},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 10295; AES Convention 147; October 2019},
number={10295},
organization={AES},
}
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