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Analogue recordings pose specific problems during automatic alignment, such as distortion due to physical degradation, or differences in tape speed during recording, copying, and digitization. Oftentimes, recordings are incomplete, exhibiting gaps with different lengths. In this paper we propose a method to align multiple digitized analogue recordings of same concerts of varying quality and song segmentations. The process includes the automatic construction of a reference concert timeline. We evaluate alignment methods on a synthetic dataset and apply our algorithm to real-world data.
Author (s): Wilmering, Thomas;
Thalmann, Florian;
Sandler, Mark;
Affiliation:
Centre for Digital Music (C4DM), Queen Mary University of London, London, UK
(See document for exact affiliation information.)
AES Convention: 147
Paper Number:10271
Publication Date:
2019-10-06
Session subject:
Posters: Applications in Audio
DOI:
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Wilmering, Thomas; Thalmann, Florian; Sandler, Mark; 2019; Alignment and Timeline Construction for Incomplete Analogue Audience Recordings of Historical Live Music Concerts [PDF]; Centre for Digital Music (C4DM), Queen Mary University of London, London, UK; Paper 10271; Available from: https://aes.org/publications/elibrary-page/?id=20644
Wilmering, Thomas; Thalmann, Florian; Sandler, Mark; Alignment and Timeline Construction for Incomplete Analogue Audience Recordings of Historical Live Music Concerts [PDF]; Centre for Digital Music (C4DM), Queen Mary University of London, London, UK; Paper 10271; 2019 Available: https://aes.org/publications/elibrary-page/?id=20644
@inproceedings{Wilmering2019alignment,
title={{Alignment and Timeline Construction for Incomplete Analogue Audience Recordings of Historical Live Music Concerts}},
author={Wilmering, Thomas and Thalmann, Florian and Sandler, Mark},
year={2019},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 10271; AES Convention 147; October 2019},
number={10271},
organization={AES},
}
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