Field Report: Immersive Recording of a Wind Ensemble Using Height Channels and Delay Compensation for a Realistic Playback Experience

Yang H, Dobson A, King R. Field Report: Immersive Recording of a Wind Ensemble Using Height Channels and Delay Compensation for a Realistic Playback Experience. In: AES Convention 147. Audio Engineering Society; 2019. Paper 538. Available from: https://aes.org/publications/elibrary-page/?id=20561

@inproceedings{Yang2019_20561,
  author = {Yang, Hyunjoung and Dobson, Alexander and King, Richard},
  title = {{Field Report: Immersive Recording of a Wind Ensemble Using Height Channels and Delay Compensation for a Realistic Playback Experience}},
  booktitle = {AES Convention 147},
  note = {Paper 538},
  year = {2019},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=20561}
}

TY  - CPAPER
TI  - Field Report: Immersive Recording of a Wind Ensemble Using Height Channels and Delay Compensation for a Realistic Playback Experience
AU  - Yang, Hyunjoung
AU  - Dobson, Alexander
AU  - King, Richard
T2  - AES Convention 147
M1  - Paper 538
PY  - 2019
DA  - 2019/10/06
UR  - https://aes.org/publications/elibrary-page/?id=20561
PB  - Audio Engineering Society
LA  - en
AB  - Practical examples for orchestra recording in stereo or surround were relatively easy to obtain. Whereas, it was found that recording practice in immersive audio is relatively limited. This paper is intended to share the experience of the immersive recording process for a wind orchestra recording at McGill University. There were concerns that needed to be considered before planning the concert recording, problems encountered during the planning, and lastly the solutions to these issues. In conclusion, the discussions about the final result and the approach will be described.
ER  -