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Conference Paper

Robust Hypercardioid Synthesis for Spatial Audio Capture: Microphone Geometry, Directivity and Regularization

Authors: Blanco Galindo, Miguel; Coleman, Philip; Jackson, Philip J. B.

AES Conference: 2019 AES International Conference on Immersive and Interactive Audio · Paper 49 · March 2019

Abstract

Frequency-invariant beamformers are useful for spatial audio capture since their attenuation of sources outside the look direction is consistent across frequency. In particular, the least-squares beamformer (LSB) approximates arbitrary frequency-invariant beampatterns with generic microphone configurations. This paper investigates the effects of array geometry, directivity order and regularization for robust hypercardioid synthesis up to 15th order with the LSB, using three 2D 32-microphone array designs (rectangular grid, open circular, and circular with cylindrical baffle). While the directivity increases with order, the frequency range is inversely proportional to the order and is widest for the cylindrical array. Regularization results in broadening of the mainlobe and reduced on-axis response at low frequencies. The PEASS toolkit was used to evaluate perceptually beamformed speech signals.

Details

Published in
AES Conference: 2019 AES International Conference on Immersive and Interactive Audio
Paper number
49
Publication date
March 6, 2019
Affiliation
University of Surrey, Guildford, UK (See document for exact affiliation information.)
Type
Conference Paper