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The increasing popularity of Ambisonics as a spatial audio format for streaming services poses new challenges to the existing audio coding techniques. This paper seeks to evaluate timbral distortion and localization accuracy of Ambisonic audio encoded using Opus low-bitrate compression. The study was conducted for first, third and fifth order Ambisonic signals at various bitrates reproduced over a 50-channel spherical loudspeaker configuration. This study has identified how lower bitrates reduce timbral fidelity, though this changes depending on the audio content. Localization accuracy has been found to be relatively robust even at very low bitrates. The results suggest that the user experience of spatial audio streaming services would significantly improve if third order Ambisonics would be implemented over first order.
Author (s): Rudzki, Tomasz;
Gomez-Lanzaco, Ignacio;
Hening, Pierce;
Skoglund, Jan;
McKenzie, Thomas;
Stubbs, Jessica;
Murphy, Damian;
Kearney, Gavin;
Affiliation:
University of York, UK; University of York, UK; University of York, UK; University of York, UK; University of York, UK; Google, Inc., Mountain View, CA, USA; University of York, UK; University of York, UK;
(See document for exact affiliation information.)
Publication Date:
2019-03-06
DOI:
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Rudzki, Tomasz;Gomez-Lanzaco, Ignacio;Hening, Pierce;Skoglund, Jan;McKenzie, Thomas;Stubbs, Jessica;Murphy, Damian; Kearney, Gavin; 2019; Perceptual Evaluation of Bitrate Compressed Ambisonic Scenes in Loudspeaker Based Reproduction [PDF]; University of York, UK; University of York, UK; University of York, UK; University of York, UK; University of York, UK; Google, Inc., Mountain View, CA, USA; University of York, UK; University of York, UK;; Paper 100; Available from: https://aes.org/publications/elibrary-page/?id=20391
Rudzki, Tomasz;Gomez-Lanzaco, Ignacio;Hening, Pierce;Skoglund, Jan;McKenzie, Thomas;Stubbs, Jessica;Murphy, Damian; Kearney, Gavin; Perceptual Evaluation of Bitrate Compressed Ambisonic Scenes in Loudspeaker Based Reproduction [PDF]; University of York, UK; University of York, UK; University of York, UK; University of York, UK; University of York, UK; Google, Inc., Mountain View, CA, USA; University of York, UK; University of York, UK;; Paper 100; 2019 Available: https://aes.org/publications/elibrary-page/?id=20391
@inproceedings{Rudzki2019perceptual,
title={{Perceptual Evaluation of Bitrate Compressed Ambisonic Scenes in Loudspeaker Based Reproduction}},
author={Rudzki, Tomasz;Gomez-Lanzaco, Ignacio;Hening, Pierce;Skoglund, Jan;McKenzie, Thomas;Stubbs, Jessica;Murphy, Damian and Kearney, Gavin},
year={2019},
month={mar},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 100; AES Conference: 2019 AES International Conference on Immersive and Interactive Audio; March 2019},
number={100},
organization={AES},
}
TY – paper
TI – Perceptual Evaluation of Bitrate Compressed Ambisonic Scenes in Loudspeaker Based Reproduction
AU – Rudzki, Tomasz;Gomez-Lanzaco, Ignacio;Hening, Pierce;Skoglund, Jan;McKenzie, Thomas;Stubbs, Jessica;Murphy, Damian
AU – Kearney, Gavin
PY – 2019
JO – Journal of the Audio Engineering Society
VL – 100
Y1 – March 2019
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