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Spatial audio rendering techniques often make assumptions about head-related transfer functions to simplify the reproduction process, however, state-of-the-art techniques require critical consideration of the transfer function accuracy. This paper uses boundary-element method HRTFs to investigate the perceptual spectral difference (PSD) that arises with distance and angle discrepancies. PSD between HRTFs at various radial distances is calculated, and between HRTFs in head- and ear-centred systems as function of radial distance. The distance at which the average and maximum PSD falls below the threshold of perception is determined. HRTF average variation reaches perceptual limits by 2-3m, however, perceivable PSD values occur up to and beyond 10m, indicating that care must be taken when approximating either the distance or angular location of HRTFs.
Author (s): Young, Kat;
Armstrong, Cal;
Tew, Anthony I.;
Murphy, Damian T.;
Kearney, Gavin;
Affiliation:
University of York, UK
(See document for exact affiliation information.)
Publication Date:
2019-03-06
DOI:
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Young, Kat; Armstrong, Cal; Tew, Anthony I.; Murphy, Damian T.; Kearney, Gavin; 2019; A Numerical Study into Perceptually-Weighted Spectral Differences between Differently-Spaced HRTFs [PDF]; University of York, UK; Paper 77; Available from: https://aes.org/publications/elibrary-page/?id=20386
Young, Kat; Armstrong, Cal; Tew, Anthony I.; Murphy, Damian T.; Kearney, Gavin; A Numerical Study into Perceptually-Weighted Spectral Differences between Differently-Spaced HRTFs [PDF]; University of York, UK; Paper 77; 2019 Available: https://aes.org/publications/elibrary-page/?id=20386
@inproceedings{Young2019a,
title={{A Numerical Study into Perceptually-Weighted Spectral Differences between Differently-Spaced HRTFs}},
author={Young, Kat and Armstrong, Cal and Tew, Anthony I. and Murphy, Damian T. and Kearney, Gavin},
year={2019},
month={mar},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 77; AES Conference: 2019 AES International Conference on Immersive and Interactive Audio; March 2019},
number={77},
organization={AES},
}
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