Double-MS Decoding with Diffuse Sound Control

Favrot A, Faller C, Wittek H. Double-MS Decoding with Diffuse Sound Control. In: AES Convention 145. Audio Engineering Society; 2018. Paper 10042. Available from: https://aes.org/publications/elibrary-page/?id=19768

@inproceedings{Favrot2018_19768,
  author = {Favrot, Alexis and Faller, Christof and Wittek, Helmut},
  title = {{Double-MS Decoding with Diffuse Sound Control}},
  booktitle = {AES Convention 145},
  note = {Paper 10042},
  year = {2018},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19768}
}

TY  - CPAPER
TI  - Double-MS Decoding with Diffuse Sound Control
AU  - Favrot, Alexis
AU  - Faller, Christof
AU  - Wittek, Helmut
T2  - AES Convention 145
M1  - Paper 10042
PY  - 2018
DA  - 2018/10/06
UR  - https://aes.org/publications/elibrary-page/?id=19768
PB  - Audio Engineering Society
LA  - en
AB  - The double MS (DMS) setup provides a coincident recording configuration in the horizontal plane for surround sound recording, similar to Ambisonics B-format. DMS uses two cardioids and one dipole microphones, arranged coincidentally. An algorithm for processing DMS recordings is described, which in addition to linear processing provides a diffuse sound gain control and diffuse sound de-correlation. The target stereo or multichannel signals can be made more dry or reverberant with diffuse gain. Diffuse de-correlation improves spaciousness and its importance scales with the number of channels. The consequences of these new controls for the stereophonic image will be depicted.
ER  -