Interactive Recorded Music: Past, Present, and Future

Paterson J, Toulson R. Interactive Recorded Music: Past, Present, and Future. In: AES Convention 145. Audio Engineering Society; 2018.pp. 460:1-. Available from: https://aes.org/publications/elibrary-page/?id=19725

@inproceedings{Paterson2018_19725,
  author = {Paterson, Justin and Toulson, Rob},
  title = {{Interactive Recorded Music: Past, Present, and Future}},
  booktitle = {AES Convention 145},
  pages = {460:1-},
  year = {2018},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19725}
}

TY  - CPAPER
TI  - Interactive Recorded Music: Past, Present, and Future
AU  - Paterson, Justin
AU  - Toulson, Rob
T2  - AES Convention 145
SP  - 1
M1  - Paper 460
PY  - 2018
DA  - 2018/10/06
UR  - https://aes.org/publications/elibrary-page/?id=19725
PB  - Audio Engineering Society
LA  - en
AB  - This Engineering Brief charts the story of user-interactivity with recorded music. Audio technologies and creative compositional techniques are discussed with particular regard to scenarios where creativity has driven the demand for technological advance, and vice-versa, where technical advance has enabled new creative-practice approaches. This is contextualized through discussion of relevant implementation in legacy systems, mobile applications, video games, artificial intelligence, and extended realities. In identifying seminal applications of music interactivity from the past and linking them to present capabilities and practices, future trajectories for interactive recorded-music are extrapolated.
ER  -