Streamlined 3D Sound Design: The Capture and Composition of a Sound Field

Woszczyk W, Geluso P. Streamlined 3D Sound Design: The Capture and Composition of a Sound Field. In: AES Convention 145. Audio Engineering Society; 2018. Paper 459. Available from: https://aes.org/publications/elibrary-page/?id=19724

@inproceedings{Woszczyk2018_19724,
  author = {Woszczyk, Wieslaw and Geluso, Paul},
  title = {{Streamlined 3D Sound Design: The Capture and Composition of a Sound Field}},
  booktitle = {AES Convention 145},
  note = {Paper 459},
  year = {2018},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19724}
}

TY  - CPAPER
TI  - Streamlined 3D Sound Design: The Capture and Composition of a Sound Field
AU  - Woszczyk, Wieslaw
AU  - Geluso, Paul
T2  - AES Convention 145
M1  - Paper 459
PY  - 2018
DA  - 2018/10/06
UR  - https://aes.org/publications/elibrary-page/?id=19724
PB  - Audio Engineering Society
LA  - en
AB  - A pragmatic approach to 3D sound design is described that employs a minimum number of sound fields captured with tetrahedral microphones. The captured sound fields, each extended in a horizontal and vertical dimension, are combined to provide the essential segments of the entire 360° sound design. Supplemental single-capsule microphones are used as needed for balancing of spaciousness and clarity. A compatible scaling of sound design from 3D to 2D can be easily accomplished without distortion of timbre or space.
ER  -