Spatial Audio Production for 360-Degree Live Music Videos: Multi-Camera Case Studies

Holm J, Malyshev M. Spatial Audio Production for 360-Degree Live Music Videos: Multi-Camera Case Studies. In: AES Conference: 2018 AES International Conference on Audio for Virtual and Augmented Reality. Audio Engineering Society; 2018. Paper P1-3. Available from: https://aes.org/publications/elibrary-page/?id=19680

@inproceedings{Holm2018_19680,
  author = {Holm, Jukka and Malyshev, Mark},
  title = {{Spatial Audio Production for 360-Degree Live Music Videos: Multi-Camera Case Studies}},
  booktitle = {AES Conference: 2018 AES International Conference on Audio for Virtual and Augmented Reality},
  note = {Paper P1-3},
  year = {2018},
  month = aug,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19680}
}

TY  - CPAPER
TI  - Spatial Audio Production for 360-Degree Live Music Videos: Multi-Camera Case Studies
AU  - Holm, Jukka
AU  - Malyshev, Mark
T2  - AES Conference: 2018 AES International Conference on Audio for Virtual and Augmented Reality
M1  - Paper P1-3
PY  - 2018
DA  - 2018/08/06
UR  - https://aes.org/publications/elibrary-page/?id=19680
PB  - Audio Engineering Society
LA  - en
AB  - This paper discusses the different aspects of mixing for 360-degree multi-camera live music videos. We describe our two spatial audio production workflows, which were developed and fine-tuned through a series of case studies including rock, pop, and orchestral music. The different genres were chosen to test if the production tools and techniques were equally efficient for mixing different types of music. In our workflows, one of the most important parts of the mixing process is to match the Ambisonics mix with a stereo reference. Among other things, the process includes automation, proximity effects, creating a sense a space, and managing transitions between cameras.
ER  -