E. Hendrickx, J. Palacino, V. Koehl, F. Changenet, E. Corteel, and M. Paquier, “Should Sound and Image Be Coherent during Live Performances?” in Proc. AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science, Jul. 2018, Paper P11-2. [Online]. Available: https://aes.org/publications/elibrary-page/?id=19636
Hendrickx E, Palacino J, Koehl V, Changenet F, Corteel E, Paquier M. Should Sound and Image Be Coherent during Live Performances? In: AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science. Audio Engineering Society; 2018. Paper P11-2. Available from: https://aes.org/publications/elibrary-page/?id=19636
@inproceedings{Hendrickx2018_19636,
author = {Hendrickx, Etienne and Palacino, Julian and Koehl, Vincent and Changenet, Frédéric and Corteel, Etienne and Paquier, Mathieu},
title = {{Should Sound and Image Be Coherent during Live Performances?}},
booktitle = {AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science},
note = {Paper P11-2},
year = {2018},
month = jul,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=19636}
}
TY - CPAPER
TI - Should Sound and Image Be Coherent during Live Performances?
AU - Hendrickx, Etienne
AU - Palacino, Julian
AU - Koehl, Vincent
AU - Changenet, Frédéric
AU - Corteel, Etienne
AU - Paquier, Mathieu
T2 - AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science
M1 - Paper P11-2
PY - 2018
DA - 2018/07/06
UR - https://aes.org/publications/elibrary-page/?id=19636
PB - Audio Engineering Society
LA - en
AB - During ampli?ed live music performance, the positions of sound sources rarely coincide with the positions of their related visual sources. Yet, several studies have suggested that audiovisual spatial coherence could improve the experience of the audience. In the present experiment, sound engineers had to produce two different mixes for several sequences extracted from concert videos: one freestyle mix where they could spatialize the sound sources at their pleasure, and one spatially-constrained mix, where the sound sources had to be reproduced at the same azimuth as the original positions of the related visual sources. A subjective evaluation revealed that the spatially-constrained mixes were preferred when the image was displayed, although the freestyle mixes were preferred when the image was not displayed.
ER -