Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique

Marui A, Yairi M, Kamekawa T. Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique. In: AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science. Audio Engineering Society; 2018. Paper P9-3. Available from: https://aes.org/publications/elibrary-page/?id=19629

@inproceedings{Marui2018_19629,
  author = {Marui, Atsushi and Yairi, Motoki and Kamekawa, Toru},
  title = {{Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique}},
  booktitle = {AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science},
  note = {Paper P9-3},
  year = {2018},
  month = jul,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19629}
}

TY  - CPAPER
TI  - Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique
AU  - Marui, Atsushi
AU  - Yairi, Motoki
AU  - Kamekawa, Toru
T2  - AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science
M1  - Paper P9-3
PY  - 2018
DA  - 2018/07/06
UR  - https://aes.org/publications/elibrary-page/?id=19629
PB  - Audio Engineering Society
LA  - en
AB  - Although musical instrument players may want to learn the spatial impressions of the concert hall beforehand, practicing in the actual hall is not practical due to the geographical and the ?nancial reasons. Hence, it is helpful for players if there is a spatial reproduction system that can recreate the concert hall reverberation in their practice environments. An implementation of crosstalk cancellation method for synthesizing virtual auditory space using loudspeakers called Optimal Source Distribution technique is used to add realistic reverberation of a live venue to a violin performance in real-time. In this research, one of the de?ning parameters for the timbre of convolved reverberation, microphone placements on and over the instrument, were compared by professional players.
ER  -