Recognition of an Auditory Environment: Investigating Room-Induced Influences on Immersive Experience

Kim S, King R, Kamekawa T, Sakamoto S. Recognition of an Auditory Environment: Investigating Room-Induced Influences on Immersive Experience. In: AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science. Audio Engineering Society; 2018. Paper P6-1. Available from: https://aes.org/publications/elibrary-page/?id=19620

@inproceedings{Kim2018_19620,
  author = {Kim, Sungyoung and King, Richard and Kamekawa, Toru and Sakamoto, Shuichi},
  title = {{Recognition of an Auditory Environment: Investigating Room-Induced Influences on Immersive Experience}},
  booktitle = {AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science},
  note = {Paper P6-1},
  year = {2018},
  month = jul,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19620}
}

TY  - CPAPER
TI  - Recognition of an Auditory Environment: Investigating Room-Induced Influences on Immersive Experience
AU  - Kim, Sungyoung
AU  - King, Richard
AU  - Kamekawa, Toru
AU  - Sakamoto, Shuichi
T2  - AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science
M1  - Paper P6-1
PY  - 2018
DA  - 2018/07/06
UR  - https://aes.org/publications/elibrary-page/?id=19620
PB  - Audio Engineering Society
LA  - en
AB  - Four distinct multichannel playback rooms were compared in this study. In each room, we played three classical music pieces mixed for 22.2 and 2 channels, respectively, and generated corresponding binaural recordings. Fifteen trained listeners participated in a listening experiment where they compared four rooms on ?ve salient attributes: perceived width, perceived depth, spatial clarity, impression being enveloped, and spectral balance of the sound ?eld. A factor analysis shows that two factors accounted for about 70% of the total variance. The ?rst factor is associated with spatial dimension of a sound ?eld and the second factor with spectral and spatial integration (or blend) of sound components.
ER  -