Pulse-Code-Modulation Recording System

Iwamura H, Hayashi H, Miyashita A, Anazawa T. Pulse-Code-Modulation Recording System. J Audio Eng Soc. 1973;21(7):535-541. Available from: https://aes.org/publications/elibrary-page/?id=1953

@article{Iwamura1973_1953,
  author = {Iwamura, Hiroshi and Hayashi, Hideaki and Miyashita, Atsushi and Anazawa, Takeaki},
  title = {{Pulse-Code-Modulation Recording System}},
  journal = {Journal of the Audio Engineering Society},
  volume = {21},
  number = {7},
  pages = {535--541},
  year = {1973},
  month = sep,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=1953}
}

TY  - JOUR
TI  - Pulse-Code-Modulation Recording System
AU  - Iwamura, Hiroshi
AU  - Hayashi, Hideaki
AU  - Miyashita, Atsushi
AU  - Anazawa, Takeaki
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 21
IS  - 7
SP  - 535
EP  - 541
PY  - 1973
DA  - 1973/09/06
UR  - https://aes.org/publications/elibrary-page/?id=1953
PB  - Audio Engineering Society
LA  - en
AB  - A pulse-code-modulation tape recorder for eight channels of audio information is described. The sampling rate for each channel is 47.25 kHz, and the channel samples are interleaved in 13-bit code plus parity and phase check bits for each, with three eight-channel blocks in a television-signal horizontal-scanning-line format. A studio-quality video tape recorder is used. Engineering quality considerations are explained and performance data are given. Applications to the mastering of disc records of unprecedented fidelity are indicated.
ER  -