It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings

Teigland T, Jensen PE, Andersen CS. It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings. In: AES Convention 144. Audio Engineering Society; 2018.pp. 10025:1-. Available from: https://aes.org/publications/elibrary-page/?id=19421

@inproceedings{Teigland2018_19421,
  author = {Teigland, Tore and Jensen, Pål Erik and Andersen, Claus Sohn},
  title = {{It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings}},
  booktitle = {AES Convention 144},
  pages = {10025:1-},
  year = {2018},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19421}
}

TY  - CPAPER
TI  - It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings
AU  - Teigland, Tore
AU  - Jensen, Pål Erik
AU  - Andersen, Claus Sohn
T2  - AES Convention 144
SP  - 1
M1  - Paper 10025
PY  - 2018
DA  - 2018/05/06
UR  - https://aes.org/publications/elibrary-page/?id=19421
PB  - Audio Engineering Society
LA  - en
AB  - In this study we made three separate recordings using both close, near, and room microphones. These recordings were then the subject for a listening test constructed to study a variety of perceived effects due to manipulating time in overdub recordings. While the use of time alignment to decrease comb filtering has been widely studied, there has been little work on investigating other perceived effects. Time alignment has become more and more common, but as this paper concludes, it should not be used without concern. The findings will shed light on a range of important factors affected by manipulating time between microphones in overdub recordings, while also concluding on which of, and when, the investigated techniques are normally preferred or not.
ER  -