Audio for Cinema

Rumsey F. Audio for Cinema. J Audio Eng Soc. 2018;66(3):182-185. Available from: https://aes.org/publications/elibrary-page/?id=19385

@article{Rumsey2018_19385,
  author = {Rumsey, Francis},
  title = {{Audio for Cinema}},
  journal = {Journal of the Audio Engineering Society},
  volume = {66},
  number = {3},
  pages = {182--185},
  year = {2018},
  month = mar,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19385}
}

TY  - JOUR
TI  - Audio for Cinema
AU  - Rumsey, Francis
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 66
IS  - 3
SP  - 182
EP  - 185
PY  - 2018
DA  - 2018/03/06
UR  - https://aes.org/publications/elibrary-page/?id=19385
PB  - Audio Engineering Society
LA  - en
AB  - [Feature] Dialog recording, editing, and replacement is probably one of the most important aspects of movie sound production. It is the basis of good storytelling, as poor dialog is the “best way to ruin a movie.” Panelists during Audio for Cinema sessions at the 143rd Convention tackle this fascinating topic. Afterwards, a panel chaired by Nuno Fonseca debated the future challenges of audio for cinema.
ER  -