Ambience Recording for 3D Audio

Hanelt M, Ehret A. Ambience Recording for 3D Audio. In: AES Convention 142. Audio Engineering Society; 2017. Paper 312. Available from: https://aes.org/publications/elibrary-page/?id=18688

@inproceedings{Hanelt2017_18688,
  author = {Hanelt, Marco and Ehret, Andreas},
  title = {{Ambience Recording for 3D Audio}},
  booktitle = {AES Convention 142},
  note = {Paper 312},
  year = {2017},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=18688}
}

TY  - CPAPER
TI  - Ambience Recording for 3D Audio
AU  - Hanelt, Marco
AU  - Ehret, Andreas
T2  - AES Convention 142
M1  - Paper 312
PY  - 2017
DA  - 2017/05/06
UR  - https://aes.org/publications/elibrary-page/?id=18688
PB  - Audio Engineering Society
LA  - en
AB  - 3D audio is emerging as a production format to enable immersive consumer audio experiences, including the sensation of height. This eBrief focuses on the use of 3D microphone arrays for recording 3D ambiences. Multiple microphone arrays were evaluated, both in theory as well as in practice. The arrays were assessed for their perceptual performance such as spatial envelopment, location accuracy, and timbre. Furthermore, the practical usability of these recordings in a real world movie project and the handling in a common post-production environment have been tested. With the information gathered, a Best Practice guide for different use cases has been developed.
ER  -