Subjective Evaluation of Orchestral Music Recording Techniques for Three-Dimensional Audio

Howie W, King R, Martin D, Grond F. Subjective Evaluation of Orchestral Music Recording Techniques for Three-Dimensional Audio. In: AES Convention 142. Audio Engineering Society; 2017. Paper 9797. Available from: https://aes.org/publications/elibrary-page/?id=18671

@inproceedings{Howie2017_18671,
  author = {Howie, Will and King, Richard and Martin, Denis and Grond, Florian},
  title = {{Subjective Evaluation of Orchestral Music Recording Techniques for Three-Dimensional Audio}},
  booktitle = {AES Convention 142},
  note = {Paper 9797},
  year = {2017},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=18671}
}

TY  - CPAPER
TI  - Subjective Evaluation of Orchestral Music Recording Techniques for Three-Dimensional Audio
AU  - Howie, Will
AU  - King, Richard
AU  - Martin, Denis
AU  - Grond, Florian
T2  - AES Convention 142
M1  - Paper 9797
PY  - 2017
DA  - 2017/05/06
UR  - https://aes.org/publications/elibrary-page/?id=18671
PB  - Audio Engineering Society
LA  - en
AB  - A double-blind study was conducted to evaluate a recently developed microphone technique for three-dimensional orchestral music capture, optimized for 22.2 Multichannel Sound. The proposed technique was evaluated against a current 22.2 production standard for three-dimensional orchestral music capture, as well as a coincident, higher order ambisonics capture system: the Eigenmike. Analysis of the results showed no significant difference in listener evaluation between the proposed technique and the current production standard in terms of the subjective attributes “clarity,” “scene depth,” “naturalness,” “environmental envelopment,” and “quality of orchestral image.”
ER  -