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Rondo360 is Dysonics’ toolkit for spatial audio post-production, supporting multiple workflows including multichannel, Ambisonics, and Dysonics’ own native 360 Motion-Tracked Binaural (MTB) format. Rondo360 works with all input formats—live or prerecorded—from traditional or sound field microphones, and exports to a wide array of formats depending on desired content distribution. Rondo360 integrates seamlessly with all DAWs by adding a final layer onto the creator’s existing workflow, and it comes bundled with a suite of custom mastering tools (Mixer, Compressor, Limiter, and Reverb) that work on multichannel sound field content. With support for RondoMotion, Dysonics` wireless head-tracking device, creators can monitor their 360 mixes in real-time. Rondo360 also provides an intuitive audio/video sync and export functionality along with live broadcasting support.
Author (s): Dalton, Robert;
Tobin, Jimmy;
Grunzweig, David;
Affiliation:
Dysonics, San Francisco, CA, USA
(See document for exact affiliation information.)
AES Convention: 141
Paper Number:288
Publication Date:
2016-09-06
Session subject:
Production and Broadcast
DOI:
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Dalton, Robert; Tobin, Jimmy; Grunzweig, David; 2016; Rondo360: Dysonics’ Spatial Audio Post-Production Toolkit for 360 Media [PDF]; Dysonics, San Francisco, CA, USA; Paper 288; Available from: https://aes.org/publications/elibrary-page/?id=18387
Dalton, Robert; Tobin, Jimmy; Grunzweig, David; Rondo360: Dysonics’ Spatial Audio Post-Production Toolkit for 360 Media [PDF]; Dysonics, San Francisco, CA, USA; Paper 288; 2016 Available: https://aes.org/publications/elibrary-page/?id=18387
@inproceedings{Dalton2016rondo360:,
title={{Rondo360: Dysonics’ Spatial Audio Post-Production Toolkit for 360 Media}},
author={Dalton, Robert and Tobin, Jimmy and Grunzweig, David},
year={2016},
month={sep},
booktitle={Journal of the Audio Engineering Society},
publisher={Engineering Brief 288; AES Convention 141; September 2016},
number={288},
organization={AES},
}
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