D. H. Cooper and T. Shiga, “Discrete-Matrix Multichannel Stereo,” in Proc. AES Convention 2ce, Mar. 1972, Paper M03. [Online]. Available: https://aes.org/publications/elibrary-page/?id=1838
Cooper DH, Shiga T. Discrete-Matrix Multichannel Stereo. In: AES Convention 2ce. Audio Engineering Society; 1972. Paper M03. Available from: https://aes.org/publications/elibrary-page/?id=1838
@inproceedings{Cooper1972_1838,
author = {Cooper, Duane H. and Shiga, Takeo},
title = {{Discrete-Matrix Multichannel Stereo}},
booktitle = {AES Convention 2ce},
note = {Paper M03},
year = {1972},
month = mar,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=1838}
}
TY - CPAPER
TI - Discrete-Matrix Multichannel Stereo
AU - Cooper, Duane H.
AU - Shiga, Takeo
T2 - AES Convention 2ce
M1 - Paper M03
PY - 1972
DA - 1972/03/06
UR - https://aes.org/publications/elibrary-page/?id=1838
PB - Audio Engineering Society
LA - en
AB - Azimuthal-harmonic synthesis generates a universe of matrices (UMX) with maximal input-output azimuthal correlations for two (BMX), three (TMX), four (QMX), etc., intermediary channels. The basic, mono-stereo-compatible BMX accepts augmentation channels converting to TMX, QMX, etc. In quadrasonics, the psychoacoustically discrete TMX essentially equals the fully discrete QMX. The feasibility of multi-channel disc, broadcast, and tape is profoundly enhanced by the sufficiency of using 2-kHz-wide augmentation channels.
ER -