Microphone Array Design Applied to Complete Hemispherical Sound Reproduction—From Integral 3D to Comfort 3D

Williams M. Microphone Array Design Applied to Complete Hemispherical Sound Reproduction—From Integral 3D to Comfort 3D. In: AES Convention 140. Audio Engineering Society; 2016. Paper 9569. Available from: https://aes.org/publications/elibrary-page/?id=18267

@inproceedings{Williams2016_18267,
  author = {Williams, Michael},
  title = {{Microphone Array Design Applied to Complete Hemispherical Sound Reproduction—From Integral 3D to Comfort 3D}},
  booktitle = {AES Convention 140},
  note = {Paper 9569},
  year = {2016},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=18267}
}

TY  - CPAPER
TI  - Microphone Array Design Applied to Complete Hemispherical Sound Reproduction—From Integral 3D to Comfort 3D
AU  - Williams, Michael
T2  - AES Convention 140
M1  - Paper 9569
PY  - 2016
DA  - 2016/05/06
UR  - https://aes.org/publications/elibrary-page/?id=18267
PB  - Audio Engineering Society
LA  - en
AB  - This paper describes the parameters that need to be taken into account in the design of a 13 channel microphone array recording system for reproduction also in a 13 loudspeaker hemispherical configuration. Both the microphone array and the loudspeaker array use 8 channels in the horizontal reference plane, 4 channels in the 45° elevation plane, and a Zenith channel at the top (90° elevation). This paper will also describe the various stages of advancement to complete 3D coverage (Integral 3D), and the logical development of this type of array to a new format proposition - the 16 channel “Comfort 3D format.”
ER  -