A Loudness Function for Analog and Digital Sound Systems Based on Equal Loudness Level Contours

Nielsen S. A Loudness Function for Analog and Digital Sound Systems Based on Equal Loudness Level Contours. In: AES Convention 140. Audio Engineering Society; 2016.pp. 9559:1-. Available from: https://aes.org/publications/elibrary-page/?id=18257

@inproceedings{Nielsen2016_18257,
  author = {Nielsen, Sofus},
  title = {{A Loudness Function for Analog and Digital Sound Systems Based on Equal Loudness Level Contours}},
  booktitle = {AES Convention 140},
  pages = {9559:1-},
  year = {2016},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=18257}
}

TY  - CPAPER
TI  - A Loudness Function for Analog and Digital Sound Systems Based on Equal Loudness Level Contours
AU  - Nielsen, Sofus
T2  - AES Convention 140
SP  - 1
M1  - Paper 9559
PY  - 2016
DA  - 2016/05/06
UR  - https://aes.org/publications/elibrary-page/?id=18257
PB  - Audio Engineering Society
LA  - en
AB  - A new and better loudness compensation has been designed based on the differences between the Equal Loudness Level Contours (ELLC) in ISO 226:2003. Sound productions are normally being mixed at a high Mixing Level (ML) in dB but often played at a lower listening level, which means that the perceived frequency balance will been changed both for LL lower or higher than ML. The differences in ELLC ask for a level based equalization using fractional-order filters. A designing technique for both analog and digital fractional-order filters has been developed. The analog solution is based on OPAMs and the digital solution is realized in a 16/32 bit fixed point DSP and could be implemented in any sound producing system.
ER  -