A Hybrid Approach to Live Spatial Sound Mixing

Corteel E, Foulon R, Changenet F. A Hybrid Approach to Live Spatial Sound Mixing. In: AES Convention 140. Audio Engineering Society; 2016. Paper 9527. Available from: https://aes.org/publications/elibrary-page/?id=18226

@inproceedings{Corteel2016_18226,
  author = {Corteel, Etienne and Foulon, Raphael and Changenet, Frédéric},
  title = {{A Hybrid Approach to Live Spatial Sound Mixing}},
  booktitle = {AES Convention 140},
  note = {Paper 9527},
  year = {2016},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=18226}
}

TY  - CPAPER
TI  - A Hybrid Approach to Live Spatial Sound Mixing
AU  - Corteel, Etienne
AU  - Foulon, Raphael
AU  - Changenet, Frédéric
T2  - AES Convention 140
M1  - Paper 9527
PY  - 2016
DA  - 2016/05/06
UR  - https://aes.org/publications/elibrary-page/?id=18226
PB  - Audio Engineering Society
LA  - en
AB  - In this paper, we present an approach for live sound mixing that combines object oriented mixing with Wave Field Synthesis rendering with more standard live mixing techniques. This approach combines a standard mixing desk and an external processing unit. We first describe the system and the controls available to the sound engineer. Such system enables to create extensive contrast in the mix working on spatial positioning (angle, depth) but also projection of sound. We then review the use of the system in various musical genre (classical, jazz, pop) describing concrete application installations.
ER  -