S. H. Chon, D. Ko, and S. Kim, “Listeners' Response to String Quartet Performances Recorded in Virtual Acoustics,” in Proc. AES Conference: 59th International Conference: Sound Reinforcement Engineering and Technology, Jul. 2015, Paper 3-1. [Online]. Available: https://aes.org/publications/elibrary-page/?id=17834
Chon SH, Ko D, Kim S. Listeners' Response to String Quartet Performances Recorded in Virtual Acoustics. In: AES Conference: 59th International Conference: Sound Reinforcement Engineering and Technology. Audio Engineering Society; 2015. Paper 3-1. Available from: https://aes.org/publications/elibrary-page/?id=17834
@inproceedings{Chon2015_17834,
author = {Chon, Song Hui and Ko, Doyuen and Kim, Sungyoung},
title = {{Listeners' Response to String Quartet Performances Recorded in Virtual Acoustics}},
booktitle = {AES Conference: 59th International Conference: Sound Reinforcement Engineering and Technology},
note = {Paper 3-1},
year = {2015},
month = jul,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=17834}
}
TY - CPAPER
TI - Listeners' Response to String Quartet Performances Recorded in Virtual Acoustics
AU - Chon, Song Hui
AU - Ko, Doyuen
AU - Kim, Sungyoung
T2 - AES Conference: 59th International Conference: Sound Reinforcement Engineering and Technology
M1 - Paper 3-1
PY - 2015
DA - 2015/07/06
UR - https://aes.org/publications/elibrary-page/?id=17834
PB - Audio Engineering Society
LA - en
AB - There has been growing interest in virtual acoustics systems for their capability to adjust the acoustics of a multi-purpose venue to better accommodate unique needs for specific events. It has been known that musicians could perceive the difference among various virtual rooms and sometimes made slight changes in their playing to reflect the characteristics of a specific virtual room in which they performed. In this paper, we ask the question of whether these acoustical differences in virtual rooms could also be communicated to listeners. A listening experiment is reported with twelve sound recording engineers to examine the perception of performances recorded in virtual acoustics in terms of six spatial attributes—naturalness, source distance, room size, clarity, loudness and preference.
ER -
