Natural Sound Recording of an Orchestra with Three-Dimensional Sound

Hamasaki K, Van Baelen W. Natural Sound Recording of an Orchestra with Three-Dimensional Sound. In: AES Convention 138. Audio Engineering Society; 2015. Paper 9348. Available from: https://aes.org/publications/elibrary-page/?id=17772

@inproceedings{Hamasaki2015_17772,
  author = {Hamasaki, Kimio and Van Baelen, Wilfried},
  title = {{Natural Sound Recording of an Orchestra with Three-Dimensional Sound}},
  booktitle = {AES Convention 138},
  note = {Paper 9348},
  year = {2015},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17772}
}

TY  - CPAPER
TI  - Natural Sound Recording of an Orchestra with Three-Dimensional Sound
AU  - Hamasaki, Kimio
AU  - Van Baelen, Wilfried
T2  - AES Convention 138
M1  - Paper 9348
PY  - 2015
DA  - 2015/05/06
UR  - https://aes.org/publications/elibrary-page/?id=17772
PB  - Audio Engineering Society
LA  - en
AB  - This paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. Listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. Concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. This paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.
ER  -