Auto Panning In-Ear Monitors for Live Performers

Webb T, Horsburgh AJ. Auto Panning In-Ear Monitors for Live Performers. In: AES Convention 138. Audio Engineering Society; 2015.pp. 9345:1-. Available from: https://aes.org/publications/elibrary-page/?id=17769

@inproceedings{Webb2015_17769,
  author = {Webb, Tom and Horsburgh, Andrew J.},
  title = {{Auto Panning In-Ear Monitors for Live Performers}},
  booktitle = {AES Convention 138},
  pages = {9345:1-},
  year = {2015},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17769}
}

TY  - CPAPER
TI  - Auto Panning In-Ear Monitors for Live Performers
AU  - Webb, Tom
AU  - Horsburgh, Andrew J.
T2  - AES Convention 138
SP  - 1
M1  - Paper 9345
PY  - 2015
DA  - 2015/05/06
UR  - https://aes.org/publications/elibrary-page/?id=17769
PB  - Audio Engineering Society
LA  - en
AB  - In a live musical performance, accurate stage monitoring is a vital element to achieve the optimal performance. Current stage monitoring uses traditional musician-facing loudspeakers. Problems can be surmised as excessive Sound Pressure Level (SPL), the inability to hear themselves, acoustic feedback, and general stage untidiness/space requirements. In-ear monitors (IEM’s) can offer a solution to these problems when the IEM system has been properly designed [7]. One crucial issue with IEMs is the sense of isolation and disconnection from stage noise and crowd. To overcome this issue, an auto-panning system that adjusts spatial placement of audio channels within the performers stage mix has been designed and built.
ER  -