The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production

Kardos L. The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production. In: AES Convention 138. Audio Engineering Society; 2015.pp. 9344:1-. Available from: https://aes.org/publications/elibrary-page/?id=17768

@inproceedings{Kardos2015_17768,
  author = {Kardos, Leah},
  title = {{The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production}},
  booktitle = {AES Convention 138},
  pages = {9344:1-},
  year = {2015},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17768}
}

TY  - CPAPER
TI  - The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production
AU  - Kardos, Leah
T2  - AES Convention 138
SP  - 1
M1  - Paper 9344
PY  - 2015
DA  - 2015/05/06
UR  - https://aes.org/publications/elibrary-page/?id=17768
PB  - Audio Engineering Society
LA  - en
AB  - Over the course of audio recording history, we have seen the activity of sound recording widen in scope “from a technical matter to a conceptual and artistic one” (Moorefield 2010) and the producer’s role evolving from technician to “auteur.” For recording practitioners engaged in artistic and commercial industry and discourse, fluency in contemporary and historic sound languages is advantageous This paper seeks to find the best, most practically useful method to describe these characteristics in practice, identify a clear and suitable way to talk about and analyze these uses of communicative timbral gestures, as heard in modern music productions.”
ER  -