Elicitation of the Differences between Real and Reproduced Audio

Francombe J, Brookes T, Mason R. Elicitation of the Differences between Real and Reproduced Audio. In: AES Convention 138. Audio Engineering Society; 2015. Paper 9307. Available from: https://aes.org/publications/elibrary-page/?id=17731

@inproceedings{Francombe2015_17731,
  author = {Francombe, Jon and Brookes, Tim and Mason, Russell},
  title = {{Elicitation of the Differences between Real and Reproduced Audio}},
  booktitle = {AES Convention 138},
  note = {Paper 9307},
  year = {2015},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17731}
}

TY  - CPAPER
TI  - Elicitation of the Differences between Real and Reproduced Audio
AU  - Francombe, Jon
AU  - Brookes, Tim
AU  - Mason, Russell
T2  - AES Convention 138
M1  - Paper 9307
PY  - 2015
DA  - 2015/05/06
UR  - https://aes.org/publications/elibrary-page/?id=17731
PB  - Audio Engineering Society
LA  - en
AB  - To improve the experience of listening to reproduced audio, it is beneficial to determine the differences between listening to a live performance and a recording. An experiment was performed in which three live performances (a jazz duet, a jazz-rock quintet, and a brass quintet) were captured and simultaneously replayed over a nine-channel with-height surround sound system. Experienced and inexperienced listeners moved freely between the live performance and the reproduction and described the difference in listening experience. In subsequent group discussions, the experienced listeners produced twenty-nine categories using some terms that are not commonly found in the current spatial audio literature. The inexperienced listeners produced five categories that overlapped with the experienced group terms but that were not as detailed.
ER  -