Differences between Recorded and Emulated Guitar Sounds

Majewski M, Malecki P. Differences between Recorded and Emulated Guitar Sounds. In: AES Convention 138. Audio Engineering Society; 2015. Paper 186. Available from: https://aes.org/publications/elibrary-page/?id=17621

@inproceedings{Majewski2015_17621,
  author = {Majewski, Maciej and Malecki, Pawel},
  title = {{Differences between Recorded and Emulated Guitar Sounds}},
  booktitle = {AES Convention 138},
  note = {Paper 186},
  year = {2015},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17621}
}

TY  - CPAPER
TI  - Differences between Recorded and Emulated Guitar Sounds
AU  - Majewski, Maciej
AU  - Malecki, Pawel
T2  - AES Convention 138
M1  - Paper 186
PY  - 2015
DA  - 2015/05/06
UR  - https://aes.org/publications/elibrary-page/?id=17621
PB  - Audio Engineering Society
LA  - en
AB  - Is it possible to create an emulated guitar sound similar to the recorded one? Why not! First of all, the direct signal from the guitar is prepared. After that, using a “reamping” technique the desired sound is recorded. Subsequently the whole audio track is emulated using device called “Kemper.” Then the listening tests among people who work in the music industry were performed for subjective comparison of prepared sounds. The comparison of numerical audio parameters is provided using Matlab scripts. The results analysis show the performance of modern emulation techniques in compare to the traditional multitrack recording. Major benefits and losses are discussed.
ER  -