Game Audio: Generative Music, Emotions, and Realism

Rumsey F. Game Audio: Generative Music, Emotions, and Realism. J Audio Eng Soc. 2015;63(4):293-297. Available from: https://aes.org/publications/elibrary-page/?id=17586

@article{Rumsey2015_17586,
  author = {Rumsey, Francis},
  title = {{Game Audio: Generative Music, Emotions, and Realism}},
  journal = {Journal of the Audio Engineering Society},
  volume = {63},
  number = {4},
  pages = {293--297},
  year = {2015},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17586}
}

TY  - JOUR
TI  - Game Audio: Generative Music, Emotions, and Realism
AU  - Rumsey, Francis
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 63
IS  - 4
SP  - 293
EP  - 297
PY  - 2015
DA  - 2015/04/06
UR  - https://aes.org/publications/elibrary-page/?id=17586
PB  - Audio Engineering Society
LA  - en
AB  - [Feature] Music for games is going through a gradual transformation from “pre-cooked” to “cooked-on-the-fly.” There is still, though, something of a disconnection between the academic studies of the subject and real-world implementations in commercial systems. Music and audio manipulation can be used to communicate emotional mood and impact in games. Headphones are becoming increasingly important as a way of listening to games, requiring solutions to creating a convincing experience for the user.
ER  -