Producing Interactive Immersive Sound for MPEG-H: A Field Test for Sports Broadcasting

Stenzel H, Scuda U. Producing Interactive Immersive Sound for MPEG-H: A Field Test for Sports Broadcasting. In: AES Convention 137. Audio Engineering Society; 2014. Paper 9211. Available from: https://aes.org/publications/elibrary-page/?id=17534

@inproceedings{Stenzel2014_17534,
  author = {Stenzel, Hanne and Scuda, Ulli},
  title = {{Producing Interactive Immersive Sound for MPEG-H: A Field Test for Sports Broadcasting}},
  booktitle = {AES Convention 137},
  note = {Paper 9211},
  year = {2014},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17534}
}

TY  - CPAPER
TI  - Producing Interactive Immersive Sound for MPEG-H: A Field Test for Sports Broadcasting
AU  - Stenzel, Hanne
AU  - Scuda, Ulli
T2  - AES Convention 137
M1  - Paper 9211
PY  - 2014
DA  - 2014/10/06
UR  - https://aes.org/publications/elibrary-page/?id=17534
PB  - Audio Engineering Society
LA  - en
AB  - The present paper gives a practical example how broadcast content can be produced for MPEG-H. Existing production workflows are investigated with the question in mind, what needs to be adapted in order to make use of audio objects and immersive 3D-Audio provided by the new broadcast standard. After a short introduction to the features of MPEG-H, practical use cases are presented, such as immersive mixes and interactive personalized audio. In a field test, two sports events were accompanied and original audio material was gathered. Recording methods were tested to see how much additional effort is needed to make use of the mentioned features. The results show that already existing TV productions techniques can be used to provide enough audio material for interactive TV mixes. With little additional effort immersive 3D-audio environments can be created.
ER  -