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The Complete Vocal Technique defines four vocal modes: Neutral, Curbing, Overdrive, and Edge. This paper reports the result of a listening test involving 59 subjects. The goal has been to find the importance of onset and decay features when identifying the vocal modes. The conclusion is that the onset only to a minor degree is responsible for the aural detection of vocal modes.
Author (s): Brixen, Eddy B.;
Sadolin, Cathrine;
Kjelin, Henrik;
Affiliation:
EBB-consult, Smorum, Denmark; Complete Vocal Institute, Copenhagen, Denmark
(See document for exact affiliation information.)
AES Convention: 137
Paper Number:9139
Publication Date:
2014-10-06
Session subject:
Perception
DOI:
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Brixen, Eddy B.; Sadolin, Cathrine; Kjelin, Henrik; 2014; The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing [PDF]; EBB-consult, Smorum, Denmark; Complete Vocal Institute, Copenhagen, Denmark; Paper 9139; Available from: https://aes.org/publications/elibrary-page/?id=17462
Brixen, Eddy B.; Sadolin, Cathrine; Kjelin, Henrik; The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing [PDF]; EBB-consult, Smorum, Denmark; Complete Vocal Institute, Copenhagen, Denmark; Paper 9139; 2014 Available: https://aes.org/publications/elibrary-page/?id=17462
@inproceedings{Brixen2014the,
title={{The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing}},
author={Brixen, Eddy B. and Sadolin, Cathrine and Kjelin, Henrik},
year={2014},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 9139; AES Convention 137; October 2014},
number={9139},
organization={AES},
}
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