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The introduction of Dolby ATMOS has raised several questions concerning the optimum design of the room acoustics for smaller dubbing theaters where the number of speakers and the associated hardware has some bearing on the room as a whole. It is also apparent that compact speaker systems and a flexible approach to installation opens the scope for multi-channel sound installations. The author compares several installation and also compares these with an alternative approach using the IOSONO system.
Author (s): Munro, Andrew;
Affiliation:
Munro Acoustics, Dynaudio Acoustics, London, UK
(See document for exact affiliation information.)
AES Convention: 137
Paper Number:179
Publication Date:
2014-10-06
DOI:
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Munro, Andrew; 2014; The Design of Dolby ATMOS Post Production Theaters [PDF]; Munro Acoustics, Dynaudio Acoustics, London, UK; Paper 179; Available from: https://aes.org/publications/elibrary-page/?id=17414
Munro, Andrew; The Design of Dolby ATMOS Post Production Theaters [PDF]; Munro Acoustics, Dynaudio Acoustics, London, UK; Paper 179; 2014 Available: https://aes.org/publications/elibrary-page/?id=17414
@inproceedings{Munro2014the,
title={{The Design of Dolby ATMOS Post Production Theaters}},
author={Munro, Andrew},
year={2014},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Engineering Brief 179; AES Convention 137; October 2014},
number={179},
organization={AES},
}
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