Coloration in Wave Field Synthesis

Wierstorf H, Hohnerlein C, Spors S, Raake A. Coloration in Wave Field Synthesis. In: AES Conference: 55th International Conference: Spatial Audio. Audio Engineering Society; 2014. Paper 5-3. Available from: https://aes.org/publications/elibrary-page/?id=17381

@inproceedings{Wierstorf2014_17381,
  author = {Wierstorf, Hagen and Hohnerlein, Christoph and Spors, Sascha and Raake, Alexander},
  title = {{Coloration in Wave Field Synthesis}},
  booktitle = {AES Conference: 55th International Conference: Spatial Audio},
  note = {Paper 5-3},
  year = {2014},
  month = aug,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17381}
}

TY  - CPAPER
TI  - Coloration in Wave Field Synthesis
AU  - Wierstorf, Hagen
AU  - Hohnerlein, Christoph
AU  - Spors, Sascha
AU  - Raake, Alexander
T2  - AES Conference: 55th International Conference: Spatial Audio
M1  - Paper 5-3
PY  - 2014
DA  - 2014/08/06
UR  - https://aes.org/publications/elibrary-page/?id=17381
PB  - Audio Engineering Society
LA  - en
AB  - Wave Field Synthesis systems are known to suffer from coloration. Depending on the applied number of loudspeakers comb-filter effects are present in the amplitude spectrum. In a listening experiment participants rated the perceived coloration of a synthesized point source compared to the reference case of a single loudspeaker. The point source was presented by two-channel stereophony and Wave Field Synthesis applying a circular loudspeaker array ranging from 14 up to 3 584 loudspeakers. Test participants were placed at different positions in the audience area for Wave Field Synthesis. The whole experiment was done using binaural synthesis.
ER  -