Creating illusions of musical instruments positioned in virtual space seems to have been the focus during the early years of spatial sound reproduction, but more knowledge is required for the artistic creation of virtual spaces within which musical sound is to be presented. This paper looks at what has been learned from investigations so far, and explores current research on the auditory spatial imagery associated with virtual acoustic environments.
(See document for exact affiliation information.)
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member Join the AES. If you need to check your member status, login to the Member Portal.
