Partial Loudness in Multitrack Mixing

Ma Z, Reiss JD, Black DAA. Partial Loudness in Multitrack Mixing. In: AES Conference: 53rd International Conference: Semantic Audio. Audio Engineering Society; 2014. Paper S2-3. Available from: https://aes.org/publications/elibrary-page/?id=17098

@inproceedings{Ma2014_17098,
  author = {Ma, Zheng and Reiss, Joshua D. and Black, Dawn A. A.},
  title = {{Partial Loudness in Multitrack Mixing}},
  booktitle = {AES Conference: 53rd International Conference: Semantic Audio},
  note = {Paper S2-3},
  year = {2014},
  month = jan,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17098}
}

TY  - CPAPER
TI  - Partial Loudness in Multitrack Mixing
AU  - Ma, Zheng
AU  - Reiss, Joshua D.
AU  - Black, Dawn A. A.
T2  - AES Conference: 53rd International Conference: Semantic Audio
M1  - Paper S2-3
PY  - 2014
DA  - 2014/01/06
UR  - https://aes.org/publications/elibrary-page/?id=17098
PB  - Audio Engineering Society
LA  - en
AB  - Partial loudness can be used as high-level, perceptually relevant metadata in the context of semantic audio, especially in multitrack mixtures or wherever masking scenarios are desired. Subjective evaluation of the partial loudness model of Glasberg and Moore on multitrack signals in the form of equal loudness matching experiment is presented. The observed results imply that the current model underrates the partial loudness perceived by the subjects. We analyze the underlying features and propose a parameter modification in the implementation of the partial loudness model that yields better compliance for musical signals.
ER  -