Proposed Equalization for 15 in/s Studio Master Recording on High-Output Low-Noise Tapes

McKnight J, Kendall T. Proposed Equalization for 15 in/s Studio Master Recording on High-Output Low-Noise Tapes. In: AES Convention 45. Audio Engineering Society; 1973.pp. 920:1-. Available from: https://aes.org/publications/elibrary-page/?id=1706

@inproceedings{McKnight1973_1706,
  author = {McKnight, John and Kendall, T.},
  title = {{Proposed Equalization for 15 in/s Studio Master Recording on High-Output Low-Noise Tapes}},
  booktitle = {AES Convention 45},
  pages = {920:1-},
  year = {1973},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=1706}
}

TY  - CPAPER
TI  - Proposed Equalization for 15 in/s Studio Master Recording on High-Output Low-Noise Tapes
AU  - McKnight, John
AU  - Kendall, T.
T2  - AES Convention 45
SP  - 1
M1  - Paper 920
PY  - 1973
DA  - 1973/05/06
UR  - https://aes.org/publications/elibrary-page/?id=1706
PB  - Audio Engineering Society
LA  - en
AB  - A new equalization and reference fluxivity are proposed; no LF pre-emphasis, reproducing HF equalization +3 dB at 6300 Hz (-25 µs-), and fluxivity of 250 nWb/m. Measured data and a demonstration compare the NAB and proposed performances. Pre-emphasis at 4 kHz is increased from -2 to +1 dB; and at 16 kHz, from +1 to +6.5 dB (NAB was +11 dB in 1950, when developed). Noise and maximum signal at 4 kHz are thus reduced 3 dB (NAB was +11 dB in 1950, when developed). Noise and maximum signal at 4 kHz are thus reduced 3 dB, and at 16 kHz, 5.5 dB. Recording response with less than a total of 0.5 dB ripple up to 20 kHz is achieved with one RC equalizer.
ER  -