Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video

Kruszielski LF. Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video. In: AES Convention 135. Audio Engineering Society; 2013. Paper 111. Available from: https://aes.org/publications/elibrary-page/?id=16946

@inproceedings{Kruszielski2013_16946,
  author = {Kruszielski, Luiz Fernando},
  title = {{Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video}},
  booktitle = {AES Convention 135},
  note = {Paper 111},
  year = {2013},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16946}
}

TY  - CPAPER
TI  - Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video
AU  - Kruszielski, Luiz Fernando
T2  - AES Convention 135
M1  - Paper 111
PY  - 2013
DA  - 2013/10/06
UR  - https://aes.org/publications/elibrary-page/?id=16946
PB  - Audio Engineering Society
LA  - en
AB  - The comparison of different setups of microphones for surround recordings of music is a topic that has a large interest in the audio community. Although it is known that image has a strong effect on sound perception, particularly in spatial aspects, very little research had been done aiming the surround sound recordings with accompanied video. To compare possible influences in this perception, a test was created using five different surround recording techniques that was done simultaneously at a Brazilian carnival parade. The subjects were presented to the sound with and without video and asked to rate four different aspects: localization, deepness, immersion, and preference. The results show that there is a difference in perception depending on the presence or absence of video.
ER  -