G. Kearney, “Sound Field Rendering for Distributed Audiences,” in Proc. AES Conference: 52nd International Conference: Sound Field Control - Engineering and Perception, Sep. 2013, Paper P-6. [Online]. Available: https://aes.org/publications/elibrary-page/?id=16902
Kearney G. Sound Field Rendering for Distributed Audiences. In: AES Conference: 52nd International Conference: Sound Field Control - Engineering and Perception. Audio Engineering Society; 2013. Paper P-6. Available from: https://aes.org/publications/elibrary-page/?id=16902
@inproceedings{Kearney2013_16902,
author = {Kearney, Gavin},
title = {{Sound Field Rendering for Distributed Audiences}},
booktitle = {AES Conference: 52nd International Conference: Sound Field Control - Engineering and Perception},
note = {Paper P-6},
year = {2013},
month = sep,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=16902}
}
TY - CPAPER
TI - Sound Field Rendering for Distributed Audiences
AU - Kearney, Gavin
T2 - AES Conference: 52nd International Conference: Sound Field Control - Engineering and Perception
M1 - Paper P-6
PY - 2013
DA - 2013/09/06
UR - https://aes.org/publications/elibrary-page/?id=16902
PB - Audio Engineering Society
LA - en
AB - In this paper, an investigation into the localisation accuracy of Higher Order Ambisonic sound elds with reference to Vector Based Amplitude Panning (VBAP) is presented. The analysis is considered in relation to listeners who are not located in the acoustic sweet spot. The performance of velocity, energy, in-phase and psychoacoustically optimized Ambisonic decoders are compared over a horizontal-only 8-channel array. Results demonstrate that 3rd order Ambisonics with energy decode gives equivalent localisation performance to VBAP for o -centre listening.
ER -