Vibration in Music Perception

Merchel S, Altinsoy ME. Vibration in Music Perception. In: AES Convention 134. Audio Engineering Society; 2013. Paper 8818. Available from: https://aes.org/publications/elibrary-page/?id=16719

@inproceedings{Merchel2013_16719,
  author = {Merchel, Sebastian and Altinsoy, M. Ercan},
  title = {{Vibration in Music Perception}},
  booktitle = {AES Convention 134},
  note = {Paper 8818},
  year = {2013},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16719}
}

TY  - CPAPER
TI  - Vibration in Music Perception
AU  - Merchel, Sebastian
AU  - Altinsoy, M. Ercan
T2  - AES Convention 134
M1  - Paper 8818
PY  - 2013
DA  - 2013/05/06
UR  - https://aes.org/publications/elibrary-page/?id=16719
PB  - Audio Engineering Society
LA  - en
AB  - The coupled perception of sound and vibration is a well-known phenomenon during live pop or organ concerts. However, even during a symphonic concert in a classical hall, sound can excite perceivable vibrations on the surface of the body. This study analyzes the influence of audio-induced vibrations on the perceived quality of the concert experience. Therefore, sound and seat vibrations are controlled separately in an audio reproduction scenario. Because the correlation between sound and vibration is naturally strong, vibrations are generated from audio recordings using various approaches. Different parameters during this process (frequency and intensity modifications) are examined in relation to their perceptual consequences using psychophysical experiments. It can be concluded that vibrations play a significant role during the perception of music.
ER  -