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A listening test was designed to compare audio quality using varying sample rates. A Yamaha Disklavier player piano was used as a repeatable acoustic source, and the signal from the microphone preamps was sent to three identical analog to digital converters of the same make and model. The digitized signals were then re-converted to analog and compared to the original "live" signal through the use of a four-way switcher. Sample rates were 44.1, 96, and 192 kHz. Technical setup and the "somewhat inconclusive" results are discussed, along with some possible options for future testing.
Author (s): King, Richard;
Levitin, Daniel;
Leonard, Brett;
Affiliation:
McGill University; The Centre for Interdisciplinary Research in Music Media and Technology
(See document for exact affiliation information.)
AES Convention: 133
Paper Number:77
Publication Date:
2012-10-06
DOI:
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King, Richard; Levitin, Daniel; Leonard, Brett; 2012; How Can Sample Rates Be Properly Compared in Terms of Audio Quality? [PDF]; McGill University; The Centre for Interdisciplinary Research in Music Media and Technology; Paper 77; Available from: https://aes.org/publications/elibrary-page/?id=16632
King, Richard; Levitin, Daniel; Leonard, Brett; How Can Sample Rates Be Properly Compared in Terms of Audio Quality? [PDF]; McGill University; The Centre for Interdisciplinary Research in Music Media and Technology; Paper 77; 2012 Available: https://aes.org/publications/elibrary-page/?id=16632
@inproceedings{King2012how,
title={{How Can Sample Rates Be Properly Compared in Terms of Audio Quality?}},
author={King, Richard and Levitin, Daniel and Leonard, Brett},
year={2012},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Engineering Brief 77; AES Convention 133; October 2012},
number={77},
organization={AES},
}
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