R. Tsuchikura, M. Nakahara, T. Mikami, T. Kamekawa, and A. Marui, “Acoustic Properties of Small Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice,” in Proc. AES Convention 133, Oct. 2012, Paper 58. [Online]. Available: https://aes.org/publications/elibrary-page/?id=16613
Tsuchikura R, Nakahara M, Mikami T, Kamekawa T, Marui A. Acoustic Properties of Small Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice. In: AES Convention 133. Audio Engineering Society; 2012. Paper 58. Available from: https://aes.org/publications/elibrary-page/?id=16613
@inproceedings{Tsuchikura2012_16613,
author = {Tsuchikura, Ritsuko and Nakahara, Masataka and Mikami, Takashi and Kamekawa, Toru and Marui, Atsushi},
title = {{Acoustic Properties of Small Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice}},
booktitle = {AES Convention 133},
note = {Paper 58},
year = {2012},
month = oct,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=16613}
}
TY - CPAPER
TI - Acoustic Properties of Small Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice
AU - Tsuchikura, Ritsuko
AU - Nakahara, Masataka
AU - Mikami, Takashi
AU - Kamekawa, Toru
AU - Marui, Atsushi
T2 - AES Convention 133
M1 - Paper 58
PY - 2012
DA - 2012/10/06
UR - https://aes.org/publications/elibrary-page/?id=16613
PB - Audio Engineering Society
LA - en
AB - This paper describes results of study on practice room acoustics regarding the level of satisfaction players feel about the acoustical conditions. Two different factors are found to be involved for musicians to evaluate the acoustics of practice rooms: "comfort in practice" and "comfort in performance." Further evaluation of the two factors shows that "comfort in practice" and "comfort in performance" have different desired reverberation times. The average absorption coefficients, therefore, are estimated. Though the experiments were carried out on several kinds of instruments, this paper describes the results of experiments involving trumpeters and violinists.
ER -