Listening to the Large Hadron Collider

Deboy D, Aßmann RW, Bruce R, Burkart F, Cauchi M, Derrez C, Masi A, Redaelli S, Salvachua B, Valentino G, et al. Listening to the Large Hadron Collider. In: AES Convention 132. Audio Engineering Society; 2012.pp. 51:1-. Available from: https://aes.org/publications/elibrary-page/?id=16606

@inproceedings{Deboy2012_16606,
  author = {Deboy, Daniel and Aßmann, Ralph W. and Bruce, Roderik and Burkart, Florian and Cauchi, Marija and Derrez, Clement and Masi, Alessandro and Redaelli, Stefano and Salvachua, Belen and Valentino, Gianluca and Wollmann, Daniel},
  title = {{Listening to the Large Hadron Collider}},
  booktitle = {AES Convention 132},
  pages = {51:1-},
  year = {2012},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16606}
}

TY  - CPAPER
TI  - Listening to the Large Hadron Collider
AU  - Deboy, Daniel
AU  - Aßmann, Ralph W.
AU  - Bruce, Roderik
AU  - Burkart, Florian
AU  - Cauchi, Marija
AU  - Derrez, Clement
AU  - Masi, Alessandro
AU  - Redaelli, Stefano
AU  - Salvachua, Belen
AU  - Valentino, Gianluca
AU  - Wollmann, Daniel
T2  - AES Convention 132
SP  - 1
M1  - Paper 51
PY  - 2012
DA  - 2012/04/06
UR  - https://aes.org/publications/elibrary-page/?id=16606
PB  - Audio Engineering Society
LA  - en
AB  - The Large Hadron Collider (LHC) at CERN is a high-energy particle accelerator in a 27 km long tunnel located in the underground of the Geneva area, Switzerland. Protons are accelerated to 99.9999991 percent of the speed of light before they collide with a total momentum of up to 14 TeV. It is the largest machine that human mankind has ever built. Over 10.000 sensors monitor the state of the LHC during operation. Recently, microphones have been added as an experimental setup. An acoustic monitoring system to detect and localize beam accidents is under current investigation. Such a system may reduce expensive downtime dramatically in an accident scenario. The acquired signals can also be used for other applications, e.g., sonification, media art installations, etc.
ER  -